Up to Something: Part I

A friend recently scolded me for 'making' her follow my blog, but then my not having posted anything since she did. True. I've been bad. but busy. sooooooo...

What have I been doing?

Let's start where I left off by looking at those polaroids I promised in my last post. It was exciting to finally push the capture button on my vintage SX-70 (see previous post) and have something actually pop out the front. The film I got from The Impossible Project, "TZ-Artistic, Paul Giambarba Edition" for Polaroid Type SX-70. I must say, I'm a little disappointed in the quality. Though occasionally the overexposed, unsaturated aesthetic works -- it made getting a good shot difficult. Here's the best I've got so far:

 for comparison's sake, here's a photoshop enhanced version (though i didn't remove the linear artifact that runs through the middle. these lines showed up on several prints, though not all):

I happened to take this camera with me to Ireland, as well as my shiny new Sony NEX-5 (love love love - it has interchangeable lenses, fits in my purse, lightweight & is almost as good as a pro dslr) - how's that for diametric opposites? While riding the train to Dublin, I got antsy waiting for some sheep to show up on the endless farm lands that whooshed past us & decided to experiment a bit. The following were shot holding my NEX-5 in my right hand, pointing it through the viewfinder on my polaroid which I held in my left hand, pressed up to the train's window glass.... I love the painterly quality that these images have in person (don't know if it is obvious in these lower resolution images here) - but I'm excited about this series and am looking forward to taking my time getting good (BIG) prints of them eventually:

cheers,

me

ps- be back w/ more of what I've been doing soon... (next up: Ireland & a short story)

the secret lives of mannequins

For years I’ve wanted to do a series on mannequins, and this is just the beginning. “Tag, You’re It” is the newest addition to my shop and I can’t wait to add more. I’m fascinated by these inanimate imitations of us, not only that it’s easy to imagine them having a life of their own – but also how they are used by different cultures.
This was shot in Israel, probably in Tel Aviv – though I don’t recall. Most of the Israeli mannequins I photographed seemed more intent on getting a laugh than in garnering admiration for material goods. Here’s another Israeli favorite of mine:

I continued this unintended series during our 2 year stint in London as well. Just wait till you see what the British do with their mannequins!